Wonder TV is live
Do your fans know where to find you, and do you get paid when they do?
Since day one, Wonder has been focused on helping our community of creators earn more from their craft.
Today, we’re taking a major step forward on that journey with the launch of Wonder TV.
As a filmmaker, how do you build an audience, connect with fans and get paid when you do?
It’s a question on the mind of so many of the best creators in our community.
Existing platforms mostly reward posts that drive attention and ad impressions, so follower counts, “virality” and clickbait define what gets shown.
This means that some of the best work, especially from emerging talent, goes undiscovered and unrewarded.
Today, we’re changing that.
We’re excited to launch Wonder TV - a creator-to-fan platform that curates the best content each month. One where selection is hand-picked (not algorithmic), and where fans can engage with and directly back their favourite artists.
How discovery works:
Every month we hand-pick five filmmakers and feature their work on Wonder TV. Our team curates the best work from the Showcase section of the Wonder App and our community. No formula, no follower requirements - just standout work, and the spotlight it deserves. Think Mubi for AI films.
How creators get paid:
We are reimagining how creators earn by connecting them directly with their fans - building the rails for how IP could be financed and tokenised one day (more on this another time…). Instead of rewarding impressions, we are:
Enabling fans to support the creators they love direct on Wonder TV (with deeper Patreon-style functionality coming soon)
Paying out a share of our App subscription revenue directly to creators (as our App continues to grow, so will the rewards we pay out)
How to get discovered
Launched this year, the Wonder App is currently home to 2,000 creators from 80+ countries who are all coming to find jobs, education, AI tool discounts, community and more.
If you want to be considered for future cohorts of Wonder TV, share your work in the Showcase section of our App and engage with what others are making. That is how our team finds you.
Introducing our first Wonder TV filmmakers
Kevin K. Shah - The Secret Life of Anjali
A writer, director, and producer working under the Creative Algency banner, whose work sits at the intersection of ancient mythology and AI-generated visuals. His film The Secret Life of Anjali is set in war-torn South Asia and unfolds as a cosmic bedtime story spanning 4.5 billion years, weaving together reincarnation, grief, and the healing power of narrative. Produced through Ashden Studios, the film uses surreal, expansive imagery to translate a child’s inner world onto screen. What distinguishes Shah’s approach is the emotional precision beneath the spectacle: this is mythological filmmaking in service of something quietly human.
Aze Alter - Age of Beyond
A Canadian sci-fi world-builder who started directing films at six years old, taught himself VFX, After Effects and Unreal Engine, and now makes fully AI-generated science fiction the scale of which has drawn comparisons to Interstellar. His 2023 short Capitol of Conformity was featured on Curious Refuge and spotlighted by Digital BC. His 2025 film Age of Beyond, exploring a future in which humanity and AI unite to colonise the solar system, built on a body of work that has brought him over 5M views. What defines his output is a consistency of world-building across multiple interconnected series and a genuine philosophical optimism about where the technology, and the species, are heading.
Henry Daubrez - Junkyard King (Ep. 0)
Co-founder and Design Director of Dogstudio, an international award-winning creative studio whose clients have included The New York Times, Hulu, Microsoft, and The Kennedy Center. Over a decade of work across design and technology has earned him 27 Awwwards Sites of the Day, 2 Webbys, a Cannes Lions shortlist, and speaking slots at OFFF, Awwwards Festival, and Google. Junkyard King marks his move into filmmaking, a mystery-adventure set in the 1980s following Artie, a teenage detective who uncovers a hidden katana in an abandoned junkyard and stumbles into something far darker than a missing persons case. Daubrez brings the same obsessive sense of atmosphere and detail to the screen that defines his design work. This is Episode 0.
Uisato - Tribes
A creative technologist and audiovisual experimenter whose contribution to Wonder TV is not a single film but a seven-part cycle - each chapter exploring the concept of tribes through deep reverence for African traditions. Working entirely through Uisato Studio, the project threads rhythm, ritual, and collective identity across its chapters, treating the series as a sustained meditation rather than a sequence of standalone works. The question running beneath all seven films is the same: what binds people together, and what gets carried forward? Uisato’s answer is less argument than atmosphere - built in sound, image, and pattern.
Guillermo Miranda & Javi De La Chica (Contamination) - Ausencia
Ausencia distils grief into a single room and a single night. A woman keeps vigil over her late husband, a retired filmmaker, and the film moves through memory, silence, and the emotional weight left behind by a shared life. Miranda works in the register of intimate, interior storytelling: no grand gestures, just the quiet texture of loss rendered in animation. Ausencia is the kind of film that earns its emotion by refusing to explain it, created by award-winning Javi de la Chica and Guillermo Miranda, under the Contamination studio label.
Jordan Daniel Chesney - 91
A traditional filmmaker and commercial director turned AI auteur, Jordan Daniel Chesney brings a practitioner's eye to an entirely new canvas. His short film, produced under JDC Entertainment in just 48 hours, draws from the spiritual architecture of The Screwtape Letters and Psalms 91, realising its vision entirely through Runway-generated imagery. Chesney works in the register of faith, tension, and the unseen - filmmaking as a kind of spiritual act, where the tools are new but the instincts are old. It is the kind of film that could only exist now, made by someone who understands both what cinema was and what it is becoming.
YZA Voku - ANDALUCÍA
A visual artist and director working under the Voku.Studio banner, YZA Voku turns the landscape of Andalucía into something closer to a feeling than a place. Andalucía ‘A Gaze from the South’ is less a document of a region than an act of imagining it from the inside — light, terrain, and atmosphere assembled into a visual language that is distinctly his own. Voku works in the register of the poetic and the geographic, where place becomes a lens through which identity and gaze are quietly interrogated. It is the kind of film that doesn't describe the south so much as it conjures it.
Alex Naghavi - Le Drip
A Creative Director and filmmaker whose practice moves fluidly between brand, technology, and the moving image, Alex Naghavi brings the same architectural sensibility to a two-minute animated short as she does to a global rebrand. Alex Naghavi's Le Drip is a painterly, melancholy thing, a French animated short that finds existential weight in the smallest of stages: one fish, one dripping faucet, one slow monologue on the dignity of small endings. Absurd and tender in equal measure, it is the kind of film that doesn't announce itself so much as it lingers.
Mauricio Sierra - Nothing Special
A Paris-based director and photographer whose commercial work spans HBO, Netflix, Chanel, and Nike, Mauricio Sierra turns his lens inward with this six-minute short shot on the streets of New York. The film is a study in romantic self-sabotage, two people who want the same thing and keep dismantling it, set against a city that doesn't notice and doesn't care. Working in hybrid live action extended through AI-driven workflows, Sierra brings the precision of a luxury image-maker to something rawer and more personal. It is the kind of film that understands love not as a feeling but as a pattern - and the quiet devastation of watching two people repeat it.
Edmond Yang - Hope’s Ambition
An award-winning AI artist and creative director, Edmond Yang has built his practice at the intersection of visual art and emerging technology. With Hope's Ambition, he brings that sensibility to a story both simple and quietly affecting, a young sheep mocked for believing he has the instincts of a sheepdog, who finds his moment when a deadly snowstorm strikes. A film about the loneliness of being misread, and the vindication of being proved right when it matters most.
What comes next
Wonder TV is the first step in a longer effort to build real income pathways for the filmmakers in this community. More options for direct fan support and project financing are all on the roadmap. Watch this space!
Cool!